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A MANY FEATHERED BIRD ...

The name "Forest Weaver" comes from a mustard-tummied songbird which flits from branch to branch in South African indigenous forests. This bird is known for singing crystal clear, piercingly high notes that stand out above the usual orchestra of birdsong, despite its small stature.​ 

Emma Farquharson hails from Hilton in KwaZulu-Natal, South Africa. She has a rich multi-genre singing background, having spent her childhood & teens combing through her parents diverse CD collections & singing in choirs both local & provincial / national.  ​She matriculated with Honours for Choir & Half Colours for Drama, & is a Gold President's Award  Alumni (2014).

 

She holds two degrees with Distinction in Music: a BA

(Second Major in Drama), & BA Honours. Both were completed at Rhodes University, under the bel canto training of Miss Jo-Nette Le Kay. By the end of her university career, Emma held 9 scholarships & bursaries to her name, most notably an Ada & Bertie Levenstein Bursary & a SAMRO Bursary. She was also a Fulbright semifinalist for the 2019/20 intake, was recognized as one of 100 top-performing students by the 2018  Investec Rhodes Arts, Culture, Media & Society Award Board, & is a member & scholarship winner of the Golden Key International Honours Society.

Emma staged two successful shows at the Grahamstown/Makhanda National Arts Festival whilst pursuing her degrees. Opera Found (2017 Standard Bank Encore Ovation Award) & A Feather on the Breath of God (2018 Arena Production).

She took Opera Found to Sue Gordon’s Concerts At The Castle Series in Port Alfred, and thence to her hometown & surrounds in KZN. A Feather on the Breath of God (2018) is a concert she considers to be the most important of her young career, as it showcased the works of 10 female Western Art Music composers, spanning 700 years of music history. She was honoured to work with American-born Cellist, Caleb Vaughn-Jones, as well as local pianist Nina van Schoor.

 

Emma returned to KZN in 2019 after her studies & staged 9 concerts, working with musicians like Lara Kirsten, Ilse Myburgh, David Orr, Christopher Duigan, James Grace & the PMB Caledonian Pipe Band. Here, she furthered her vocal development with retired opera singer, Margaret Clay-Bowen, training as a Spinto-Dramatic Soprano. She also operated a home vocal coaching studio. Her most notable performance of 2019 was her booking by PAMS as Soprano for the annual Handel’s Messiah in November, where she was met with wide acclaim.

2020 to 2022 were years where, Covid-induced, performance necessarily took a back seat. They did, however, see her build upon her belief in championing female composers past and present, international and local. She produced an eConcert-Documentary entitled "Herstory", funded by ConcertsSA, SAMRO, IKSS Consulting and The Norwegian Arts Embassy. Sourcing musicians, actor-dancers, a conductor and an opera director from South Africa and abroad, this digital edu-resource aids audiences and educators in learning about select womxn in music, and where to source publications of their work, as well as featuring a diversity of instruments and performers. Orders can be placed using: theforestweaver@gmail.com

In the time of Covid, Emma practiced her art predominantly as a school vocal coach; most notably at St Annes Diocesan High School for Girls and Cowan House Independent Co-Ed Preparatory School. As Covid retreats, Emma prepares now to return to the stage, working as a freelance opera & classical singer and auditioning for opera houses.

 

Newly married (2022), she and her husband emigrated to The Republic of Ireland in January  2023. She currently works as a soloist & member of chorus at Bunratty Castle Medieval Banquets, County Clare. She is also studying towards an MA in Music online, with The Open University UK. If you'd like to help her to fund her studies, visit her GoFundMe page.

2024 is already busy! Having placed 3rd in the Newpark Academy of Music Festival and 1st in the Feile Luimnigh Operatic Cup, Emma is auditioning for Solo and Chorus roles in Irish Opera Houses.

About
PERFORMANCE REVIEWS
Reviews
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March 21st, 2024

A Strauss singer, the opportunity to learn a role in Elektra piqued my interest. Whilst the program proved too costly to accept & embark upon, I was happy to receive feedback on my application & video links of Porgi Amor & Zueignung:

 

"We were impressed by your audition recordings - you have a lovely [...] tone to your instrument and negotiate between registers very skillfully".  

Julie Wyma & Anastasia Inniss, Dramatic Voices Programme Berlin

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November, 2019

"Top-class soloists [...] the PAMS Messiah was highly inspirational  & uplifting [...] while someone could not say enough about soprano Emma Farquharson's angelic sweet voice" 

The Maritzburg Sun

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March 1st, 2024

I competed in the Féile Luimnigh Corn Mhichíl Ó Ceallacháin For Operatic Solo. I was pleased to win the Competition, adjudicated by stellar Irish Soprano, Colette Delahunt:

Ritorna Vincitor - "some wonderful work on your Italian, and you are giving us such a palette of colours ... you made some very impressive transitions in vocal tone and emotional impact. You are totally invested in this character and her motivations ... An excellent performance, technically and artistically".

Colette Delahunt, Féile Luimnigh

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May 28, 2019

"Farquharson's performances never fail to impress, & for a woman of such small stature, she has a powerful voice. Her raven hair & dancing green eyes compliment her classic looks" - Advert for An Evening Soiree at Garlington

Trish Beaver, The Witness

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February 17th, 2024

I competed in the Newpark Academy of Music Festival Competition adjudicated by stellar Irish Soprano, Lynda Lee:

Porgi Amor - "Very good voice with a strong tone ... Very poised performance, especially in the long intro, not easy!"

Zueignung & Cäcilie - "You are definitely a Strauss Singer".

 

Redeemer - "You gave us a truly beautiful opening phrase! ... a wonderful poise, both while singing and just as importantly, when you are not singing. This was your best singing today ... I heard lots of new shading and colours".

Lynda Lee, Newpark Academy of Music

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June, 2018

"for the vocal spectacle in this superlative presentation [...] Farquharson's operatic excellence, accompanied by Caleb Vaughn-Jones on cello and Nina Van Schoor on piano, makes for an auditory treat [...] this Rhodes University music student displayed impeccable vocal technique - control that completely mesmerized the audience. A Feather ... Review, Weekend Post

Sboniso Thombeni, Weekend Post

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May 28, 2018

"Anyone with an appreciation of music will love the emotive and talented performance of Emma Farquharson. She is striking on stage and has a voice that is hauntingly beautiful". 

Mad about the Midlands blog

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September, 2017

"Her stunning voice was instantly mesmerising as she began to sing"​ - Opera Found Review

Jon Houzet, Talk of The Town

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July 14, 2017

"lucky people who get to hear a rising star just as she's reaching out to grab the sparkle [...]​ Showing not the slightest sign of stage fright and oozing confidence  Emma sang faultlessly ... this young lady will go far in her chosen operatic career" - Opera Found NAF Review

Peter Grist, The Announcer 

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